Queen's Fools Theatre Announces Sold-Out Immersive Production HAG Led by Peter Winkelmann and Anja Racić

The Queen's Fools Theatre Company has announced that international performers Peter Winkelmann and Anja Racić will lead HAG, a new immersive production opening October 9th, 2025 in Los Angeles. The entire run sold out in twelve hours, indicating significant public interest in experimental theatre formats that break from conventional performance structures.

HAG represents a departure from traditional theatre, described as an immersive, experimental, and audience-driven experience that evolves nightly based on participant engagement. The production blends improvisation, research, and unconventional rehearsal processes that challenge standard dramaturgical approaches. This format matters because it pushes the boundaries of what constitutes theatrical performance and demonstrates how audience participation can fundamentally shape artistic outcomes.

Winkelmann and Racić serve not merely as performers but as co-conspirators who have been instrumental in developing the production through live audience workshops. Their involvement extends beyond performance to community engagement within the LA immersive scene and internal production development. This collaborative approach highlights the shifting dynamics between performers and creators in experimental theatre, where traditional hierarchies are replaced by more integrated creative partnerships.

The company's previous work has gained recognition in alternative theatre circles, with features in publications like Last Call Theatre that described their productions as unlike any other. This reputation for creating brain-bending experiences that audiences want to repeat speaks to the growing demand for performances that offer genuine novelty and emotional impact rather than predictable entertainment.

Mason Conrad, CEO of Queen's Fools Theatre Company, emphasized that Winkelmann and Racić bring consistency, experience, and fearless creativity necessary for HAG's success. The production's emphasis on creating living, breathing, and unrepeatable theatre each night represents a significant evolution in performance art that prioritizes authenticity and spontaneity over scripted perfection. This approach matters because it challenges the commercial theatre model that often prioritizes reproducibility and financial predictability over artistic risk and innovation.

The immediate sell-out of HAG's entire run suggests that audiences are increasingly seeking experiences that cannot be replicated through digital media or traditional performance formats. This trend has implications for how theatre companies develop future programming and whether more organizations might embrace similarly experimental approaches to audience engagement and performance creation.